INVADERS FROM MARS (1953; d: William
Cameron Menzies)
Young David MacLean has big dreams.
With his most prized possession in the world, the telescope his
father gave him, the precocious ten year old sees the stars with all
the infinite wonder and amazement only a young set of eyes can
muster—and dreams of following in his scientist dad's footsteps, to
the heavens and beyond.
Born during the most calamitous war in
our history (and a period rife with accelerated technological
innovation), David's read enough dog-eared copies of Weird Tales and
Amazing Adventures to know that if we ever do get visitors from
another planet, they might not be friendly at all.
Which brings us to tonight...
It's a rare night for star-gazing, and
dad's sure to get in on the action.
“Boy, that is sure clear...”
“...but to be able to spot the Great
Nebula...”
“And both of you can hike right back
to bed!”
“Oh, I uh, was just just telling
him...”
“...after all, it's not enough that
I'm married to a scientist, but my son has to turn into one, too.”
“Gee, mom, can't we stay up a few
minutes longer?”
“At this hour of the morning?”
And she's right, it's just after 4 am; David had set his alarm clock so he could get the best possible look
at the Orion constellation, but of course it woke his father as well.
But following a brief moment's agitation, his good ol' pa got right
down there next to him, proud that his boy would go to such measures
in the name of scientific curiosity.
Back in bed now, it isn't long before David's again awake, this time from a thunderclap—and strange array of green light in the sky.
Back in bed now, it isn't long before David's again awake, this time from a thunderclap—and strange array of green light in the sky.
And so begins one of the more unique
and terrifying science fiction tales of the fifties—David's own Amazing Adventure, if you will...
"Gee whiz!" |
“Dad!”
“...big bright lights.”
“Whaaat?”
“Come on, I'll show ya!”
“Didn't mother ask you to stay in
bed?”
“I did! I was asleep—it woke me
up. It was a bright light that lit up everything, and...Dad, it
landed right over there!”
While his father assures him he was probably dreaming and that they can go check it out in the morning, it's clear
his son has piqued his interest, and waiting simply will not do.
Leif Erickson pulls double duty (as does mom, actress Hillary Brooke), giving two very different performances before its over. |
“Sorry, I woke you.”
“Then what are you doing now?”
“Oh, nothing...I'll be back in a few
minutes.”
“George, what is it?”
“Well, uh...David said he saw
something land in the field out back. It doesn't make sense,
but...he seems so convinced.”
William Menzies' legendary hill set at first looks entirely like a painted backdrop... |
...until its disorienting depth is revealed. |
Though it isn't clear at first what
happened to George MacLean at the top of that hill, it seems
something in the sand has sucked him under.
And a few hours later...
“George?”
When Mary summons a couple of policemen
to the house, they too walk to the top of the hill, vanishing as
George did.
“...where's dad?”
“He left early...”
“Any chance for a cup of coffee?”
Well, that's dad, alright, but what's
wrong with him?
“In my pajamas, obviously.”
“But...”
“Period.”
“Where's your other slipper?”
“I said period!”
“Now I guess you'd better tell those
policemen.”
“What policemen?”
“I was so worried, George, I called
the police. They're out there looking for you right now. Go and
call them, David...”
“You stay where you are! They out there now?”
But perhaps the most remarkable thing about INVADERS FROM MARS is that it so heavily relies on the acting of young Jimmy Hunt. He really shouldered a tremendous lot here—appearing from start to finish—and without a terrific performance, this whole thing could've sank like a stone.
“What's happening George—what is
it?”
“I wish you'd please learn to mind
your own business.”
“Policemen...they ask questions I
can't answer.”
“But what if they do...?”
“Am I gonna get my coffee?!”
“Gee dad, when you were out there,
did you see anything?”
“Let's not start that flying saucer
nonsense again!”
“Hey, dad?”
“Yeah, what do you want?”
“What happened to your neck? It
looks like there's a...”
“Nothing. I cut it on a barb-wire
fence.”
“Barb-wire? But there isn't any
barb-wire...”
“I cut it on barb-wire, I said!”
And with that swift, vicious backhand,
David is suddenly struck with the truth: this man isn't his father at
all. Sure, he may look the part, but George MacLean would never hit
his son like this. And George MacLean would never speak to his wife that
way. No, something must've happened when dad went out to the hill
this morning. Something to do with that saucer...yes, it was a
flying saucer.
Moments later, the policemen return
from the hill acting just as peculiarly as dad, and something
unspoken clearly passes between the three. Mom might not have caught it, but David certainly
did, and now he knows he must turn elsewhere for help.
INVADERS FROM MARS is one-of-a-kind
because it's told entirely from the perspective of a young boy, and
being so, the parameters of the narrative are quite different than
usual.
Certain dialogue and actions come not
realistically, but as a 10 year old might expect (or
understand)—which I know is a lot to wrap your head around, but it will all make sense in the end.
David spots his good friend, Kathy Wilson (Janine Perreau), just before she too is absorbed into the sandpit. |
When David tries to tell Kathy's mom what he's seen, his missing friend returns home, which is soon after set aflame. |
Red blotches notwithstanding, this is the best available print of this tragically mishandled film. |
And so one by one, the townsfolk
succumb to an automaton state, effectively becoming Martian slaves (much as would occur a few years hence in 1956's INVASION OF THE BODY SNATCHERS).
On INVADERS FROM MARS, he would carry
the reigns of both director and production designer, and his
indelible influence can be felt throughout, often transcending the
deceptively low budget of this independent production (which was written by Richard Blake, based on a story treatment by John Tucker Battle).
But perhaps the most remarkable thing about INVADERS FROM MARS is that it so heavily relies on the acting of young Jimmy Hunt. He really shouldered a tremendous lot here—appearing from start to finish—and without a terrific performance, this whole thing could've sank like a stone.
Come on, David, get over here! We require your assistance with this Martian heat ray! |
Tragically, the original print passed
through several sets of hands over the years, eventually becoming “lost”, and
all that remains is what later distributors were able to piece together from various other prints. Like so many other past wonders
of the cinema, we'll never again see quite what it looked like upon its
original run.
But what remains is wonderful, nonetheless, and a true testament to the magic of technicolor science fiction—and the sleepless summer nights of yore.
But what remains is wonderful, nonetheless, and a true testament to the magic of technicolor science fiction—and the sleepless summer nights of yore.
GREAT film despite budgetary constraints. a child's nightmare captured on film. thank you.
ReplyDeletejimmy hunt also played the police chief in the 1986 tobe hooper directed remake of this film.
ReplyDeleteThank you again, John!
ReplyDelete