There is a place not too far down the road, up around the
next bend a ways--a town called Stepford. While some have swore it the perfect place to
start a family, a fine area in which to settle down, we should all know better by
now.
Joanna Eberhart (Katharine Ross) knew one thing--she hadn’t
wanted to leave her big, dirty city in the first place. New
York had been many things to her. Her home, her subject, her refuge…her
muse. In New York City , things had just begun to fall
into place for Joanna, despite all the trappings and inevitable soul-stifling a
husband and two young children will provide.
And she was still just beginning to find herself, as so many women of
late seem to be doing.
"Daddy, I just saw a man carrying a naked lady." "That's why we're moving to Stepford." |
But then her husband, Walter (Peter Masterson), had told her he wanted to move to the country. And before she’d even had a chance to mull it over, he’d told her about a house in a place called Stepford. And before she knew it, they were packing their things and leaving the city that had seemed to hold so much promise for the fledgling young photographer.
Perhaps Walter had known it would be difficult to pull her
away, and so he’d resorted to a bit of underhandedness, rushing
things through, telling her it was a done deal before she could say no. Perhaps he was trying to make her more mother by removing the artist from her subject. But what lie ahead in Stepford was something
neither Joanna nor Walter had bargained for.
While it’s clear Walter was trying to change Joanna, trying
to subdue her independent streak, he seemed to be anything but a bad man. But once he’d attended his first meeting of the
Stepford Men’s Association, he’d arrived at a fateful impasse--forced to lay
his cards on the table. And those cards,
facing up now, reveal more than anyone could have guessed.
And so it went that Joanna awoke late that night, alone in
their bed, momentarily startled. And when she found Walter sitting next to the fireplace with
a drink in his hand, so late, she was startled once more. What’s wrong with him tonight? Why is he so upset?
He’s clearly distressed—no, devastated, it seems—but no, nothing wrong, honey. The meeting went well. He’s decided to join the Stepford Men's Association, after all. No, everything’s okay. It’s just that...well. It’s been a long night. It isn’t easy being a father and husband, especially
nowadays.
"And you know I love you, don't you? Don't you?"
And she knows something terrible has happened. But what? What could be so awful? He's drunk, but he isn't letting on...Why?
He has a secret. Something has completely rattled her husband, and he seems almost ready to come clean, or at least say that he wants to chuck it all and move back to New York.
But what? Well, he's drunk and tired and maybe he'll sleep on it and have something more to say in the morning. Or perhaps he's just been working too hard at the firm. Either way, we're all moved in now, so best make the most of it.
No comments:
Post a Comment